The
Taming of the Shrew by William Shakespeare
and Vinegar Girl by Anne Tyler
Anne Tyler was asked by the Hogarth Shakespeare people
to pick one of Shakespeare’s plays and write a modern version. (This is part of
a series where Hogarth asked different authors to write a modern retelling of a
classic Shakespeare play.) She was asked first so she got to choose any play,
and her choice was The Taming of the
Shrew.
Now, an author can acquit themselves adequately, even
admirably, in such a venture, but it isn’t going to be something that sprang
from their creative well with a feeling of “I must write this story!”
Most writers try to spend their time on the stories
that they love, that they are inspired by, even if a large part of the time is nitty gritty, chain yourself to the desk and
write work. For example, Neil Gaiman said that he spent nearly twenty years
with the idea for a book. Each year, he would take the idea out, write a page,
re-read it and think, “Nope, I’m not a good enough writer yet.” After twenty
years, he said, he realized he wasn’t getting any better, and he wrote The Graveyard Book - which went on to win several awards including
a Newbery Medal, a Carnegie Medal and a Hugo Award for best novel.
So, The Taming
of the Shrew. There have been many productions of this play over the years
and a whole lot of conjecture about what it means. If you’re not familiar with
it, check out this synopsis on Youtube. I don’t agree with all of her
conclusions but the synopsis is good and a very funny retelling.
Should you wish to skip the video, the main gist of
the story revolves around two sisters, Bianca and Katherine. Bianca is
generally considered a sweet and beautiful young woman with many suitors but
their father, Baptista, won’t allow her to marry until her angry, but still
beautiful, older sister Katherine is married. The time in the play is divided between
the comedy of Bianca’s various suitors pretending to be her tutor, in disguise,
in order to woo her, and Petruchio trying to break Katherine to the yoke of marriage,
through sleep deprivation and starvation etc., because he wants her dowry.
Now, the creator of the Youtube video does mention
that it has been suggested that Shakespeare wrote this as a mirror to show
people how awful women were treated. She denies this saying, most people would
say it was perfectly normal up until a few decades ago. What? I mean, slavery
was considered “normal” at one time in the U.S. but you still had large numbers
of people working against it, right? And Shakespeare was not most men - he was
the bard. Shakespeare accorded women in his plays with as much ability as men.
There are weak women and strong women, and those of each gender who use their
strength of will for good . . . or not
so good.
A couple key points in understanding Taming of the Shrew, to my mind, are
that Katherine is kept from sleeping and starved by Petruchio but she still argues with him into Act 4, Scene
5 until Hortensio says in an aside to
Katherine, “Say as he says, or we shall never go.” It suddenly clicks with
Katherine, I have to play the game to get
what I want. So she agrees with Petruchio that the sun is the moon and then
that she was mistaken and it is the sun.
Skip to the last two lines.
Hortensio: “Now, go thy ways, thou hast tamed a curst
shrew.”
(He KNOWS that’s not true! He’s the one who told her
to play along!)
Lucentio: “’Tis a wonder, by your leave, she will be
tamed so.”
(Huh, yeah, it’s strange that. Even Lucentio’s
suspicious!)
She isn’t tamed! She’s just playing the game.
Petruchio better straighten up or there may be some deadly nightshade in his
food one of these days. (That did happen back then, you know.)
Now Tyler says of Taming
of the Shrew, that it’s a crazy story and she wanted to figure out what
happened. But she doesn’t. She
doesn’t take the characters and delve into what might have made them act the
way they did in Shakespeare’s play. Instead she changes the characters
immensely and then looks at their motivations.
They are no longer remotely the same people. The relationship between the play
and this book is tenuous at best.
As with many productions and retellings, the story
centers on Katherine, though in the play just as much time is given to the
comedy of the various suitors for Bianca. Tyler all but leaves that out, giving
Bunny only one “suitor” and a brief mention that she had many others.
Tyler herself calls Vinegar Girl a “meringue.” A meringue consists of egg whites and
some sugar whipped until they are light and fluffy then baked so they maintain
their shape, but there’s very little substance. I think “a meringue” perfectly
captures this book.
This is still Anne Tyler, a master writer and Pulitzer
Prize winner, so there are some very witty, and poignant, scenes in the book,
but I had trouble getting started. I didn’t really begin enjoying the book
until some third of the way in.
There are some correlating characters. Katherine
becomes Kate, Baptista becomes Dr. Battista, her father. Bianca becomes Bunny.
Petruchio becomes Pyotr and, well, Lucentio becomes Edward, sort of.
Vinegar Girl opens with Kate gardening, which is her
kind of happy place, and being called by her father who asks her to bring his
lunch to the lab. She replies grumpily but he assumes she will follow through, because she always does.
Her father has come up with a scheme to have Kate
marry his lab assistant Pyotr Cherbakov, so he can stay in the country, because
“All would be lost” without Pyotr and his work visa is about to run out. (Drama
much?)
“To put it mildly, it had never been Kate’s plan to
work in a preschool. However, during her sophomore year in college she had told
her botany professor that his explanation of photosynthesis was ‘half-assed.’
One thing had led to another, and eventually she was invited to leave.”
“In theory Kate could have applied for readmission to
her college the following year, but she somehow didn’t.”
Kate, for her part, is much more wishy washy than Shakespeare’s
Katherine was. Katherine seems to hold a great deal of anger, even physically
attacking her sister. Tyler’s Kate, just seems to be floating through life,
doing what is easiest and not sure what she wants out of life.
Kate seems
to be stuck caring for her sister and father, but she doesn’t DO anything to get
out of her situation. She isn’t pressured to go back to college. Her father
simply doesn’t push her to do so. She has settled into this situation for want
of a clear direction in her life.
There
are so many scenes that just aren’t that interesting. They advance the cause of
the plot but they aren’t funny or poignant. *shrug* Just kind of lackluster for
me. Like the meal where her father unexpectedly brings Pyotr home for dinner.
It’s just there as a sort of bridge.
Later
that evening, her father finally brings up the marriage again. Kate is shocked.
“You’ve been throwing him at me all along and I was too dumb to see it. I guess
I just couldn’t believe my own father would conceive of such a thing.”
Kate
gets angry and brings up Bunny. Her father points out the difference between
the two. “Bunny has all those young men chasing after her.”
Kate
is terribly hurt.
“If
she kept her expression impassive, if she didn’t blink or even open her mouth
to say another word, she might be able to stop the tears from spilling over. So
she was silent. By degrees she stood up, careful not to bump into anything, and
she put down her calculator and turned and walked out of the dining room with
her chin raised.
And
we feel for her. Her father just told her she is inferior, second tier to
Bunny. She thought so before, she might have even suspected he thought so, but
she didn’t KNOW until he said it. Ouch.
Kate
seems utterly broken by this.
“He
must think she was of no value; she was nothing but a bargaining chip in his
single-minded quest for a scientific miracle. After all, what real purpose did
she have in her life? And she couldn’t possibly find a man who would love her
for herself, he must think, so why not just palm her off on someone who would
be useful to him?”
Kate
tells him he can do his own taxes. It’s a small skirmish, but Bunny applauds
her for it, which makes her feel a little better, some solidarity.
Pyotr
shows up to apologize for offending Kate. “She felt both gratified and
humiliated to know that he comprehended this.”
And
they begin to connect, she realizes she underestimated him because of the
language barrier.
Now, Pyotr and Petruchio are totally different
characters. Petruchio is in it for the money and sets about to break
Katherine’s spirit through starvation, sleep deprivation and “killing her with
kindness.” Pyotr is not concerned with changing Kate. She is wonderful just the
way she is in his eyes and he is only concerned that they should marry and find
a way to live peacefully. Kate’s
father is MUCH more involved in convincing Kate than Katherine’s father is.
At
one point Pyotr says, “You are the only person I know who pronounces my name
right.” It’s very wistful statement.
Then
her father shows up acting as if everything is mended and thinking Kate is
going to marry Pyotr. And FINALLY he really talks to her about it, about how he
thought Pyotr would just move in to the extra room and how his work is going
and how her mother was when she was a child. He really opens up. That is a
poignant scene.
Kate
comes around and agrees to the marriage, on paper, to help Pyotr stay.
She
goes back to work and the people start treating her with more respect as she is
going to be married, like she is suddenly
a real legitimate person.
She
has a crush of some sort on co-worker, Adam, but she just throws that over to
marry Pyotr. Why? That relationship seems to be sprung on us then tossed aside
just as quickly. It didn’t work for me.
Kate
seems to become interested in marrying Pyotr as a way to build up some momentum
in her life, to change the trajectory, though she still doesn’t know what she
wants to do. She doesn’t have any goals. Now, there are a lot of people out
there like that but I’ve never been one of them so I find it a little hard to
relate.
Then
Pyotr and Kate get to know each other and he grows on her and it begins to turn
into a real marriage. She looks for the good in Pyotr and finds things to like
about him. She comes to understand him, the way a woman might in an arranged
marriage.
In fact, it reminded me of the story about one of my
sets of great grandparents. Theirs was a marriage of convenience. She had been
married previously and had two children. Her husband passed away and she became
housekeeper for my great great grandparents. Then my great great grandmother
passed away. The story goes that my great great grandfather, William Henry,
looked at my great grandfather, Fred, and said, “Well, are you going to marry
her or do I have to?” It wouldn’t have been proper to stay in the house with
two men and no other adult female. So, Fred married Lizzie. They had my
grandmother in 1921. A neighbor lady used to tell me that they were two of the
kindest people she’d ever known. Perhaps that was why their marriage worked. Romance
doesn’t necessarily last in a marriage, it has to be based on something more,
and some people just skip that romance stage altogether.
So, Vinegar Girl
comes to a strangely logical conclusion, with some more farce about Edward
stealing the lab mice.
I would say Vinegar
Girl is a book inspired by Taming of the Shrew, more than a
re-telling of the play. It doesn’t have the weight of male/female politics that
Shakespeare depicted, where men held the power and women had to fly under the
radar, because, unlike Katherine, Kate has the right to refuse. In trying to bring this story forward in time, it
might have worked better if the author had chosen a culture where Kate would
have been more pressured to marrying, such as a traditional culture in the U.S.
or even another country.
Vinegar
Girl.
It’s a meringue – light, fluffy and pleasant but lacking much substance.
